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Silent film of the architectural design and layout of The Ark community in France, founded by Grace Ndiritu.https://www.thearkcenterexperiment.comCreated by artist Grace Ndiritu, The Ark: Center
In 2008 de-regulated globalised finance capital brought the world to the brink of disaster. Its ideology of market fundamentalism and unconstrained corruption proved to be
Finding Fanon Part Two collides art-house cinema with digital culture’s Machinima, resulting in a work that explores the post-colonial condition from inside a simulated environment
Memory Block explores the phenomena of the now demolished Heygate Estate becoming the go-to ‘urban dystopia’ film location for over 70 feature films and TV
United Red Army (The Young Man Was Part I) (70’, 2011) September 1977. The Japanese man speaks in halting English; the Bangladeshi negotiator with the
Afsan’s Long Day (The Young Man Was, Part II) (40’, 2014)January 1974. Or, Autumn 1977. Now, in a Dhaka flat, historian Afsan Chowdhury writes diary
Last Man in Dhaka Central (The Young Man Was, Part III) (82’, 2015) November 1975. The Summer of Tigers was a twilight moment for multiple
A photograph circulates, showing five men staring out of a window. Actually, only four look out; the last man breaks protocol and looks at the
The paradox of the present as a time that cannot be reflected upon until it has already become past, seems consistent with the idea of
Drawing on references from archaeology, philosophy, mathematics and ritual, Ultimate Substance departs from the hypothesis that the introduction of coinage in the ancient Greek world
Shot from the 21st floor of the iconic Balfron Tower, the film takes in the city of London below. Filmed mostly in time-lapse with the
The first installment in a trilogy of film essays, Hydra Decapita uses the imaginary world in the concept albums of Detroit based techno duo Drexciya
The film is an unsettling trans-historical vision of the Wild West that collides with the suppressed history of the multi-racial American West and the conflicts
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