‘In this work, a young British black man observes how his white foster family and his biological Jamaican mother squirm when questioned about the cultural and racial complexities of his life. Interviewing his foster mother and aunt in person, and his biological mother on the phone, the artist upsets the delicate propriety of these relationships, in both cases unveiling unspoken intentions and decisions that have shaped his life.’ Maria Troy. Wexner Centre for the Arts
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