,

Proliferations – Part I

13 July, 2017
– 31 August, 2017
Launch Event: 13 July, 7pm
online & Event Space, The White Building
Liz Rosenfeld - Glimpse of Manipulated Still (White Sands, New Mexico).

Proliferations – Part I  will screen online as part of LADA Screens.
Proliferations – Part I will also be shown at the LADA Screens launch event, 13 July, alongside a selection of other works by Liz and films from LUX’s archive which explore cruising, female bodies and desire. These include Dyketactics by Barbara Hammer (1974), Liz’s remake of this film (Untitled) Dyketactics Revisited (2005) and Gentlemen by David Farringdon (1998). The screenings will be followed by a discussion with Liz Rosenfeld and invited guests.

Filmmaker & performer Liz Rosenfeld has developed this new project in the wake of her first feature film FOXES, and in collaboration with the sonic duo Hacklander \ Hata. For this project they have built off their research into the unwanted & censored culture of the early 20th Century Russian avant-garde. This new film pines towards a future vision that surpasses generally accepted structural limitations of the human condition. The piece moves beyond the capabilities of human perceptive apparatuses, the ego, dimensions of time and space, notions of gender, sexuality, and other societal norms.


Programme

Dyketactics, Barbara Hammer, 4min, 1974
A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing. “The images are varied and very quickly presented in the early part of the film, introducing the characters, if you will. The second half of the film slows down measurably and all of a sudden I found myself holding my breath as I watched the images of lovemaking sensually and artistically captured.” – Elizabeth Lay, Plexus.
(Untitled) Dyketactics Revisted, Liz Rosenfeld, 7min, 2005
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video, allow yourself to be led through the space where bodies exist independent of social codes. Dreamy landscapes, androgynous figures, skin, and concrete, masquerade through a fantasia of fluid forms referencing history while looking into the future. Inspired by Barbara Hammer’s film Dyketactics made in 1974.
Gentlemen, David Farringdon, 15 min, 1988
I have tried to give a truthful picture of a taboo subject in an unbiased way, which I hope gives some reason to an occupation perceived by many as unreasonable – the gay sex/desire/frustrations in toilets. D.F.

Liz Rosenfeld is a Berlin based artist utilizing disciplines of film, video and live performance, to convey a sense of past and future histories. Rosenfeld is invested in concepts of how history can be queered and experienced through the moment and the ways in which it is lived and remembered. She explores how we identify ourselves with in/out community and social poly-relationship configurations. She is currently The Goethe Institute artist in Residence at LUX. During her residency, Liz will continue her creative body of research that she has been working on for the last year and half regarding the themes and characters in her first feature film, a futuristic queer speculative fiction work, FOXES. During her time at LUX, Liz will conduct creative research regarding questions dealing with queer dystopia, a positive embrace of apocalypse, invisible genocide, and drawing parallels between the way information was publicly disseminated in the early days of the AIDS/ HIV crisis, and the current state of climate change and environmental destruction. There will be various events associated with Liz‘s residency throughout June and July.

LADA Screens is a series of free, online screenings of seminal performance documentation, works to camera, short films/video and archival footage.
Through LADA’s dedicated Live Online video channel we will present rarely seen and exclusive material. Each screening will be available to view for a limited time only, and selected screenings will be launched with a special live event in collaboration with the featured artist at The White Building in Hackney Wick, London. Online art magazine, thisistomorrow will also feature the films on their website for the duration of the screenings.

Related

Skip to content