Limit as material

Brian Fuata is based on Gadigal Country of the Eora Nation (Sydney). He works in the improvisation of live or mediated performance, writing and objects. Using the image of the ghost as an exploitative strategy to produce and order content, his performances are timed, wherever he and whatever state the site is in when the alarm rings, is the end of work. He uses multiple registers of performance, persona and public speaking to produce from a given institutional context of site, body and presence a dumb zone of dramatic affects.

Graham Kelly is a visual artist and filmmaker. His practice is situated in the interfaces between contemporary forms of images, physical bodies, and environments. By considering these interactions as engulfing and continuous states or effects, his work seeks to expose and dissect power structures that are cast, distorted, or enforced within them. His works have been screened and exhibited in a number of international contexts that include: Rencontres Internationales, Haus der Kulturen der Welt, Kino der Kunst, Lo schermo dell’arte, EYE Filmmuseum, TENT, Transmission, NEST, Intermedia, Generator Projects and The Moscow Biennale for Young Art. He was a resident at the Jan van Eyck Academy in 2015/16 and at AIR Berlin Alexanderplatz in 2018.

Carolyn Lazard is a Philadelphia-based artist and writer working in video, sculpture, sound, and installation. Lazard has exhibited work at various institutions, including the Walker Art Center, the New Museum, The Kitchen, Kunsthal Aarhus, Camden Arts Centre, and the Whitney Museum of American Art. Lazard has published writing in the Brooklyn Rail, Mousse, and Triple Canopy.

Adeena Mey is a researcher and curator. He has written and published on the intersections of experimental film, exhibition history, cybernetics, and Southeast and East Asian contemporary art. His curatorial projects include VideoArt Festival Locarno: A Prospective, Elisarion, Switzerland (with François Bovier, 2019); Neo Geography I & II, Centre d’art Neuchâtel, Switzerland; and Post Territory Ujeongguk, Seoul (with Kyung Roh Bannwart, 2017). He is managing editor of Afterall Journal in London and a lecturer at Ecal in Lausanne.