BL CK B X: Tina Keane / Jeanette Iljon
Shadow of a Journey / Focii

3 April, 2019
– 11 May, 2019
12pm – 5pm
LUX
Waterlow Park Centre
Focii - Jeanette Iljon, 1974

“By presenting women’s work together we hope to be able to show its richness and diversity and the threads which run through and link it together. We hope also to encourage discussion and support for other women to make and show their own work, whether the subject matter be personal or political, figurative or formal and create our own ‘definitions’ and ‘contexts’ as women artists.”  (Circles Distribution Catalogue 1979)

To mark the 40th anniversary of the foundation of Circles – Women’s Film and Video Distribution, we are delighted to present two works from the LUX collection that were included in the first Circles distribution catalogue: Shadow of a Journey by Tina Keane and Focii by Jeanette Iljon.
Shadow of a Journey was filmed on a ferry traveling between the Isle of Harris and the Isle of Skye. On screen light and shadow play across re-worked images of the sea, reflections of passengers and birds broken apart and reconstituted by the moving waves. As the images play Peggy Morrison narrates the story of the Highland Clearances in Harris, her poetic, lilting voice juxtaposes with the harshness of a story remembered across generations of women. In Focii, a woman dances and mimes, her stark white image moves a red floor, reflected in a fractured wall of mirrors. As she performs, her mirror image gradually assumes an autonomous identity transforming what was a central relationship of self to self to that of self and other. Focii not only explores the construction of self, and the dynamics of self and other, but also the interaction between the viewer’s body and the body on screen, raising questions on the nature of identification in cinema.
Founded in 1979 by a small group of filmmakers including Felicity Sparrow, Lis Rhodes and Annabel Nicolson, Circles was the first women artists’ film and video distribution organisation in Britain. It operated initially from Felicity Sparrow’s flat in Highgate. Circles’ programme included women only screenings and group discussions that took place at Four Corners Film Workshops in Bethnal Green. In 1991, Circles merged with Cinema of Women to form Cinenova.
**PLEASE NOTE THAT BL CK B X: TINA KEANE / JEANETTE ILJON WILL BE CLOSED ON FRIDAY 26 AND SATURDAY 27 APRIL**

Jeanette Iljon (b. 1950) trained at Trent University and the Royal College of Art and worked as workshop coordinator for the LFMC between 1980 and 1982. She collaborated with choreographer Jackey Lansley on various projects, as well as the Blood Group theatre company and the Poison Girls anarcho-feminist band. She is a founding member of Circles.
Tina Keane (b. 1940) trained at Hammersmith College of Art, Sir John Cass School of Art and London College of Printing. She has worked across a range of media from performance and installation to film, video and digital art. She has exhibited widely both nationally and internationally. She is a founding member of Circles.

Cinenova is a volunteer-run charity preserving and distributing the work of feminist film and video makers. Cinenova was founded in 1991 following the merger of two feminist film and video distributors, Circles and Cinema of Women, each formed in the late 1970s/early 1980s. Cinenova currently distributes over 300 titles that include artists’ moving image, experimental film, narrative feature films, documentary and educational videos made from the 1920s to the late 1990s. The themes in these titles include oppositional histories, post-colonial struggles, representation of gender, race, sexuality, and other questions of difference and importantly the relations and alliances between these different struggles.
The Cinenova Working Group, founded in 2010, oversees the ongoing work of preservation and distribution, as well as special projects that seek to question the conditions of the organisation.

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