
Dwoskin Project Blog #31: The Synoptic Dwoskin Blog
Steve Dwoskin was born in Brooklyn in 1939. At the age of nine he contracted polio and spent the rest of his childhood and much
Steve Dwoskin was born in Brooklyn in 1939. At the age of nine he contracted polio and spent the rest of his childhood and much
Most filmographies are works in progress, or fuzzy around the edges, and the one at the end of DWOSKINO is no exception. There are remaining
Myths and fairy-tales appealed to Dwoskin more than novels or plays, and there is a sense in which his whole career pointed towards Beauty and
Outside In begins with a personal introduction from Stephen Dwoskin, standing in front of a cinema screen – the Gate in Notting Hill, in fact
Dwoskin took his first turn toward the autofictional with Behindert (1974), ‘a documentary without being one, a diary without being one’, as he described it
Gavin Bryars’s soundtracks for Steve Dwoskin’s films constitute one of the major collaborations in the history of sound film, and their partnership belongs alongside Herrmann
There are three inscriptions of Stephen Dwoskin’s body that I’d like to discuss in this article. Firstly, the trace, the physical inscription of Dwoskin’s body
Trying to Kiss the Moon, which we are showing on the evening of Thursday 22 July, is an autobiographical film that breaks off mid-sentence, suggests
The first part of Intoxicated By My Illness, which we are showing as part of a live discussion event on Thursday 27 May, debuted at Rotterdam
Peter Wollen’s essay ‘The Two Avant-Gardes’ is so well-known as to have exhausted all possible commentary, and surely no longer requires précis; but nevertheless and just
Dwoskin’s Face of Our Fear, which we are showing as part of a live discussion event on Friday 5 March, debuted in 1992 as part
As a part of The Legacies of Stephen Dwoskin Project, a collaborative team has been exploring the use of visualisations for supporting what we call
In Popism, his memoir of the 1960s, Andy Warhol describes the opening of his first retrospective, at Philadelphia in 1965. “There were four thousand kids
Towards the end of our last post, a COVID furlough ago, we were in Elgin Crescent, W11, some time in early 1967, and Ron Geesin
At the end of last month’s episode we left Steve Dwoskin and Ron Geesin in the autumn of 1966, when at least two of Dwoskin’s
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