Dwoskin Project Blog #14: 1 Love Film
There is an insurmountable difference between the archive and the Archive. The latter is, according to Derrida, a ‘place of election where law and singularity
There is an insurmountable difference between the archive and the Archive. The latter is, according to Derrida, a ‘place of election where law and singularity
Xitana (2019), the most recent video work by Sophio Medoidze, is a look at the changing landscape in Northeast Georgia. The London-based artist developed Xitana
Stephen Dwoskin was a voracious and catholic reader. From the evidence of the books he adapted and those shown on his bookshelves in several films,
There is no blog this month owing to the recent strike against casualization in academia. … The Legacies of Stephen Dwoskin project is based at
Stephen Dwoskin, innovative and experimental in so many ways, was equally so when it came to filmmaking technology. Working throughout a period of enormous shifts
The Place, on Dukes Road, near Euston, was conceived as a space for the mixing of media. When it opened on 2 September 1969, it
In Sarah Turner’s Public House (2016) a chanted invocation rings out “vodka and lime, port and lemon”. This looped, inadvertent poetry is heavy with history,
Both Stephen Dwoskin and Peter Whitehead, who died on 10 June, were founders of the original London Film-Makers’ Co-op in 1966, without necessarily being in
Stephen Dwoskin’s characterization of Jacques Ledoux as ‘one of the few individuals to have had any true feeling and understanding of the independent, experimental and
Sixth in a series of monthly posts by Henry K. Miller from the Legacies of Stephen Dwoskin project based at the University of Reading It
by Henry K. Miller Fifth in a series of monthly posts by Henry K. Miller from the Legacies of Stephen Dwoskin project based at the
Fourth in a series of monthly posts by Henry K. Miller from the Legacies of Stephen Dwoskin project based at the University of Reading Fifty
Third in a series of monthly posts by Henry K. Miller from the Legacies of Stephen Dwoskin project based at the University of Reading. When
The question I am asked more than any other is ‘how do works get into the LUX Collection?’. This is a critical question in LUX’s
Time again for our annual round up of the best artists’ moving image publications of the past year! Experimental and Expanded Animation New Perspectives and Practices
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