Dwoskin Project Blog #21: Diary of a Wheelchair
Dwoskin’s Face of Our Fear, which we are showing as part of a live discussion event on Friday 5 March, debuted in 1992 as part
Dwoskin’s Face of Our Fear, which we are showing as part of a live discussion event on Friday 5 March, debuted in 1992 as part
As a part of The Legacies of Stephen Dwoskin Project, a collaborative team has been exploring the use of visualisations for supporting what we call
Benjamin Cook speaks to artist Philomène Hoël to accompany the online exhibition of her brilliant new work Acting Out: Stephen Dwoskin, continuing a series of
Seo Young Chang employs moving image as a proxy for a body in her multimedia installations. Through a transparent screen, viewers are lured to encounter
In October 2020, Conal McStravick interviewed Bob Huff on The Asshole is A Tense Hole (1985), the context of his solo and collaborative AIDS activist video
In the text accompanying their 2016 film Scriptures of the Wind Moojin Brothers ask us to “imagine the faces of the young people in this era”
In Popism, his memoir of the 1960s, Andy Warhol describes the opening of his first retrospective, at Philadelphia in 1965. “There were four thousand kids
Towards the end of our last post, a COVID furlough ago, we were in Elgin Crescent, W11, some time in early 1967, and Ron Geesin
In July 2020, Conal McStravick interviewed Andre Reeder on Aan niets overladen (1996), the Surinamese and Dutch Caribbean experience of Dutch colonialism and coloniality, the
In July 2020, Conal McStravick spoke to Zachery Longboy about his work Confirmation of My Sins (1995), how he developed his video and performance practice
Sistren Theatre Collective, which means ‘sisterhood,’ was founded in 1977 in Kingston, Jamaica by working class women in the social, cultural and political context of
Richard Fung is a video artist, writer, theorist and retired academic who was born in Trinidad in 1954. After graduating from the Ontario College of
At the end of last month’s episode we left Steve Dwoskin and Ron Geesin in the autumn of 1966, when at least two of Dwoskin’s
In a parallel dimension in which everything is the same except the coronavirus, there was an event on 23 April at Café OTO, in Dalston,
This post was to have been about an event which has had to be postponed indefinitely because of the coronavirus pandemic. Film School Portrait, which