Nina Danino’s Solitude
Jo Blair interviews LUX artist Nina Danino to mark the launch of her latest feature film Solitude, which will launch as a special event at LSFF on 24 Jan , with
Jo Blair interviews LUX artist Nina Danino to mark the launch of her latest feature film Solitude, which will launch as a special event at LSFF on 24 Jan , with
Steve Dwoskin was born in Brooklyn in 1939. At the age of nine he contracted polio and spent the rest of his childhood and much
Most filmographies are works in progress, or fuzzy around the edges, and the one at the end of DWOSKINO is no exception. There are remaining
Myths and fairy-tales appealed to Dwoskin more than novels or plays, and there is a sense in which his whole career pointed towards Beauty and
Outside In begins with a personal introduction from Stephen Dwoskin, standing in front of a cinema screen – the Gate in Notting Hill, in fact
Dwoskin took his first turn toward the autofictional with Behindert (1974), ‘a documentary without being one, a diary without being one’, as he described it
Gavin Bryars’s soundtracks for Steve Dwoskin’s films constitute one of the major collaborations in the history of sound film, and their partnership belongs alongside Herrmann
There are three inscriptions of Stephen Dwoskin’s body that I’d like to discuss in this article. Firstly, the trace, the physical inscription of Dwoskin’s body
On Saturday 30th October 2021 LUX shows Black Bach Artsakh (2021) within a screening series of cinema-gestures by Ayreen Anastas and Rene Gabri, curated by Azar Mahmoudian
On Friday 29th October 2021 LUX screens Born of the * * * On Zarathustra’s Going Under from Cairo to Oran, Third Part (2020) as part of screening series of cinema-gestures by
On Thursday 28th October 2021 LUX shows An Untimely Film for Every One and No One, First and Second Part (2018) within a screening series of cinema-gestures by Ayreen
Trying to Kiss the Moon, which we are showing on the evening of Thursday 22 July, is an autobiographical film that breaks off mid-sentence, suggests
The first part of Intoxicated By My Illness, which we are showing as part of a live discussion event on Thursday 27 May, debuted at Rotterdam
Peter Wollen’s essay ‘The Two Avant-Gardes’ is so well-known as to have exhausted all possible commentary, and surely no longer requires précis; but nevertheless and just
To mark the final month of our online exhibition of the film Silence (2020) which was commissioned as part of a new ongoing series exploring
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