Charlotte Prodger (b.1974) lives and works in Glasgow.
Solo exhibitions include 8004-8019, Spike Island, Bristol; Stoneymollan Trail, Temple Bar Gallery, Dublin (2015) Markets, Chelsea Space, London; Nephatiti Glasgow International Director’s Programme, McLellan Galleries (2014), Percussion Biface 1-13, Studio Voltaire, London; :-* , Intermedia CCA, Glasgow; Charlotte Prodger/Jason Loebs, Essex Street, New York (2012) and handclap/punchhole, Kendall Koppe, Glasgow (2011). Selected group exhibitions include British Art Show; Leeds Art Gallery, Inverleith House, Edinburgh, University of the Arts, Norwich, Southampton City Art Gallery, Spotlight, Tate Britain, London; The Secret Life, Murray Guy, New York; An Interior That Remains and Exterior, Kunstlerhaus Gratz (2015); Annals of the Twentieth Century, Wysing Arts Centre; Phantom Limbs, Pilar Corrias, London (2014); Holes in The Wall, Kunstalle Freiburg; Frozen Lakes, Artists Space, New York (2013); Soundworks, ICA, London and Paraphantoms, Temporary Gallery, Cologne. Performances include microsphaeric howard hughes heaven movie, Tramway, Glasgow and Murray Guy, New York; Orange Helvetica Title Sequence, New York Art Book Fair (Bookworks), MOMA PS1; Assembly: A Survey of Artists Film and Video in Britain, Tate Britain (2014); Re: Re: Re: Homos and Light, Artists Space, New York and FWD: Rock Splits Boys at Spike Island, Bristol and Electra/Cafe Oto, London (with Isla-Leaver Yap). Forthcoming solo shows include Kunstverein Dusseldorf; Hollybush Gardens, London (2016) and Tramway, Glasgow (2018). Prodger was shortlisted for the Jarman 2013 Award and won the 2014 Margaret Tait Award. She is represented by Koppe Astner.