Aurelien Froment

Froment’s current practice involves the use and making of films, exhibitions and publications through a diverse array of collaborations with artists, institutions, friends and numerous image manipulators. The documentary approach plays a key role in his work, investigating the positions that inform our reception of the material he collects, such as narratives borrowed from cinema, architecture and the history of entertainment.

Recent shows include The Exhibition Formerly Known as Passengers (Wattis Institute, San Francisco), For Immediate Release (Irish Museum of Modern Art, Dublin), The Fourth Wall (Montehermoso, Vitoria), Froebel Suite (Gasworks, London), La légende vivante (Galerie Lucile Corty, Paris) and Théâtre de poche (Bonniers Konsthalle, Stockholm).