Archives: Works

Musical Insects

The temporality of film takes on the temporality of a printed work.  In homage to a Bette J. Davis’ illustrated book of the same title,

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Immortal, Suspended

The idea of suspension is evoked on shifting registers – as levitation, cessation, preservation, and suspense – and located in sites whose identities slip as

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Hacked Circuit

A single-shot, choreographed portrait of the Foley process, revealing multiple layers of fabrication and imposition. The circular camera path moves us inside and back out

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Second Sighted

Obscure signs portend a looming, indecipherable slump. An oracular decoding of the landscape. Made in collaboration with composer Olivia Block, and by invitation of the

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The Illinois Parables

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism and

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Xenoi

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to our human condition.

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Optimism

The urge to relieve a winter valley of permanent shadow and find fortune in alluvial gravel are part of a long history of desire and

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A vivid colour image of a street scene in Guatemala shot on analogue film. A woman in a red and pink patterned clothing is holding a large basket of pink, red, and yellow flowers on her head and has her other arm around the shoulder of a young child. In the background an older woman is wearing a green and white check shawl and is looking across the road. The building walls are painted blue. A handdrawn symbol in white is overlaid the centre of the photographic image. This is a vever, a symbolic drawing used in Haitian Voodoo to invoke a Loa, or god.

Vever (for Barbara)

A cross generational binding of three filmmakers seeking alternative possibilities to power structures they’re inherently part of. The film grew out of abandoned film projects

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For the Time Being

A video letter to artist Nancy Holt, in homage to our shared interest in terminal lakes, framed views, monuments and time. Filmed on and around

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Laika

Some forms we can only know by their shadow. In homage to the spirits of space test dogs, or any being we use in the

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Last Things

What happens to us / Is irrelevant to the world’s geology / But what happens to the world’s geology / is not irrelevant to us.

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For Eileen

A portrait of American poet Eileen Myles. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.

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For CA

A portrait of American poet CAConrad. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.

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