Gelb, Rot und Blau entgegen (Against Yellow, Red and Blue)
Margaret Raspé made her last camera helmet film, Gelb, Rot und Blau entgegen (Against Yellow, Red and Blue), in 1983. In this film, the artist
Margaret Raspé made her last camera helmet film, Gelb, Rot und Blau entgegen (Against Yellow, Red and Blue), in 1983. In this film, the artist
This film is emblematic of how Margaret Raspé confronts the relationship between body and camera, subject and object, and the ways in which they are
Seeikokan III is a direct animation work using ephemera and excess 16mm footage from the production of Available Light.
‘Available Light‘ is a film exploring notions of home and belonging in contemporary society. Comprising interviews with workers at the ‘Edo Tokyo Open Air Architecture
In the year of his death, my great-uncle, the artist Nigel Henderson, wrote a letter addressed to my future self. In his letter, he asked
Think of Mascon: A Massive Concentration Of Black Experiential Energy as an audiovisual investigation into the gestures, geometries, grammars and geographies that compose the forms
This video is a tribute to the North American painter Agnes Martin (1912-2004) who I met several times and admire her work profounly.
The Smell of Death is the last in a series of moving image creations made as an extension of the Abstract Expressionist painting movement. The
“Sunday Afternoon II (2001) is bathed in the lush colour of a post-war movie and slowed in tempo. A figure lies prone on the floor
Memories of Loitering brings moments from the artist’s past and present together through a spatiotemporal experience of mapping and slow burn. In its overlaying of
The Invisible Worm is a funny / serious film with spontaneous moments of joy, physicality and thinking aloud. The subtext of the film is the
Filmed in one continuous take and with a constant aperture, moonlight on the sea surface is intermittently revealed and obscured by clouds. Those unpredictable changes