
Careful Looking
The programme for the second edition of Migrating Forms in New York underscores other art surveys' failure to show the fluidity of moving-image practice, writes Rebecca Cleman.
The programme for the second edition of Migrating Forms in New York underscores other art surveys' failure to show the fluidity of moving-image practice, writes Rebecca Cleman.
Questions about the legacy of political and social movements of the 1970s go unanswered in this recent collection of documents around art and politics from that decade in London, writes Dan Kidner.[
Redmond Entwistle's artist's project revolves around the making of his recent film, Monuments.
Guided by recent readings of Los Angeles made with and through its films, George Clark maps an introduction to the history and current state of its artists' cinema.
Dan Kidner reflects on last year's film selections, and the nature of short film itself, in view of the Festival's Early Cinema and No Wave programmes.
Artist Beatrice Gibson discusses ideas around collective production and improvisation in a round-table conversation with pianist John Tilbury and editor/typographer Will Holder.
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