<p>The film is in three parts, each one exploring the fragmentary experience of perception by resorting to various forms of temporal and spatial dislocation.<br />Concrete Fall and Fergus Walking are both filmed from a moving viewpoint, and the camera motion is 'converted' through simple editing and printing procedures to register subtle depths in space, the layering between foreground and infinity. In Packeted Passages I filmed with two synchronised cameras and fused the two views in the printing stage into one disintegrated screen space. W.R.</p>